블로그 전문 “이글루스”에 오신 것을 환영합니다.

블로그 전문 “이글루스”에 오신 것을 환영합니다.
새로운 보금자리, 이것저것 어색한 것이 많으시죠?
포털블로그와는 다른, 이글루스만의 기능, 이글루스의 특징을 소개해드립니다.

이글루스는 블로그전문을 지향합니다.
2004년, 첫 발을 내디딘 이글루스는 국내 최초 트래백 을 도입하여 블로그전문 서비스로 입지를 다졌습니다. 관심사를 공유할 수 있는 ‘ 밸리’와 ‘마이’, 문화체험의 새로운 경험 ‘렛츠리뷰’, 국내 최고 메신저 네이트온 연동으로 더욱 새로운 블로깅, 독보적인 블로거가 되세요!

첫째, 공감하는 글이 있다면, 트랙백핑백을 이용하세요!
기존 포털 블로그에서 사용하던 스크랩기능 대신 트랙백과 핑백을 사용해보세요~
관심사가 비슷한 블로거를 만날 수 있는 방법입니다!

둘째, 일촌, 친구, 이웃 등 오프라인 인맥 위주의 ‘친구맺기’ 기능이 필요하시면!
이글루스에서 제공하는 이글루링크를 추천해드립니다.
이글루링크를 하시면, 해당 블로거의 새글 업데이트 소식을 실시간으로 받아볼 수 있습니다.

셋째, 카테고리별 공개/비공개 설정을 지원하지 않습니다.
이글루스는 자신이 작성한 글을 더 많은 블로거들과 나눌 수 있도록 참여와 공유를 지향합니다.
카테고리별 공개/비공개 기능은 현재 마련되어 있지 않으나 추후 필요성을 검토해보도록 하겠습니다.

넷째, 도움이 필요할 땐, EBC 와 이글루스도움말 을 찾아주세요.
이글루스를 이용하시다 발견되는 버그나 오류, 그리오 요청사항은 운영자 공식블로그 EBC 를, 이글루스의 기능과 운영정책을 알고 싶으시다면 이글루스 도움말을 방문하세요!

※ 공지사항을 지우고 싶은 경우, 포스트의 ‘삭제’를 클릭하면 지워집니다.
※ 삭제 버튼은 한 번만 누르세요. 여러 번 클릭 시 다른 글이 삭제될 수도 있습니다.

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by 스태파노 | 2009/02/19 15:40

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by 스태파노 | 2008/04/18 18:15 | - ∴Performance | 트랙백 | 덧글(0)

인터렉티브 댄스앤 미디어 퍼포먼스: APPARITION

APPARITION
An interactive dance and media performance conceived and directed by Klaus Obermaier, in collaboration with the Ars Electronica Futurelab, featuring Desirée Kongerød and Matthew Smith.
> What choreography emerges when software is your partner?
> When virtual and actual image space share the same physics?
> Where everything that moves on the stage is both interactive and independent?
> And any form, dancing or still, can be transformed into a kinetic projection surface?
With these questions as the starting point APPARITION takes interactive performance to another level through the creation of a unique stage work integrating live performance, sound, projection and an interactive system comprising real-time image generation and computer vision.

After Klaus Obermaier's dance/media works D.A.V.E. and VIVISECTOR, which have become a world wide success with its unique combination of body and video, APPARITION goes one step further:
Sophisticated interactive technologies release the performer from the determination of set choreography and generate the visual content in real-time. The goal was to create an interactive system that is much more than simply an extension of the performer, but is a potential performing partner.
Computational processes that model and simulate real-world physics create a kinetic space where the beauty and dynamics of the human body and its movement quality are extended and transferred into the virtual world.
These two main areas of research, the interactive digital system as performance partner and the creation of an immersive kinetic space, form the artistic framework for APPARITION.
Together with Desirée Kongerød and Matthew Smith, Klaus Obermaier reworked APPARITION for a resumption in Hong Kong 2006 and subsequent performances. It reflects the experiences of one year touring.
■ 공연일시 March 1/2, 2007
Festival of Dance, Image and New Media
Theatre Mercat de les Flors, Barcelona / Spain




















■ 크레디트
Desireé Kongerød was born and grew up in Norway. She moved to London to study dance at London Contemporary Dance School and Laban Centre for Movement and Dance. Since then she has had a successful career as a contemporary dancer touring throughout Europe and the States working with amongst others Yolande Snaith Theatre Dance, Rosemary Butcher and S.O.A.P. Dance Theatre Frankfurt.
Matthew Smith is a dancer from New Zealand where he danced professionally with the foremost companies before coming to Europe on a professional development grant. In Europe he has worked with many and varied companies including Carol Brown Dances in London, Cie Willi Dorner and Theater Combinat in Vienna, Random Scream in Brussels and Impure Company from Oslo.
Klaus Obermaier is one of the leading media artists and composers in Europe. He created and directed works with dancers of the NETHERLANDS DANS THEATER, TANZ*HOTEL and Chris Haring; composed for KRONOS QUARTET, ART ENSEMBLE OF CHICAGO, GERMAN CHAMBER PHILHARMONICS, Balanecscu Quartet ...; Since 2006 he is visiting professor at the University IUAV of Venice teaching new media in dance, music and theatre performances.
Peter Brandl studied 'Telematics' at the Technical University Graz, changed to the
Polytechnic University of Hagenberg and graduated 2003 in 'Multimedia Technology and Design'. Conceptual work, design and interactive programming at the Ars Electronica Center Futurelab since 2002 in various international projects. Since 2003 he is involved with the Hagenberg University for holding programming exercises and working as project coach.
Robert Tannion is a London based director/performer/choreographer, and is currently Dance Artist in Residence at Southbank, in conjunction with Laban for 2003/04. Perhaps most known for his work with DV8 Physical Theatre, Russell Maliphant, and Complicite, Robert is currently creating work under his own name.

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by 스태파노 | 2007/01/25 16:53 | - ∴Medium | 트랙백 | 덧글(0)

무대미술가 한스 윙글러2

Vita
Der Hamburger Ausstatter Hans Winkler absolvierte sein Bühnenbildstudium an der "National Theatre School of Canada" in Montreal. Seit mehr als zwölf Jahren entwirft er Ausstattungen für Oper, Ballett und Schauspiel an zahlreichen Bühnen in Deutschland und dem europäischen Ausland.
Er arbeitet regelmäßig mit dem Opernregisseur Thomas Wünsch zusammen. Unter anderem realisierten sie Opern von Verdi, Tschaikowsky, Mozart, Gounod und Massenet für das Staatstheater Braunschweig und das Theater Augsburg.
Hans Winkler entwarf auch die Dekorationen zu Donizettis "L'Elisir d'Amore" und für die Zarzuela "El Barberillo de Lavapiés", inszeniert von Lutz E. Seelig.
Eine langjährige gemeinsame Arbeit verbindet ihn mit dem Choreographen Ralf Dörnen. So entstanden zahlreiche Ballettabende für das Theater Vorpommern sowie für die Dresdener Semperoper, das Staatstheater Oldenburg und demnächst für das Aalto Theater Essen.
Außerdem gestaltet Hans Winkler Bühnenbilder für das Theater am Kurfürstendamm in Berlin, die Hamburger Kammerspiele, das Altonaer Theater, die Komödie Winterhuder Fährhaus und das Ohnsorgtheater in Hamburg, sowie für verschiedene Tourneetheater


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by 스태파노 | 2007/01/25 15:49 | - ∴Scenographer | 덧글(0)

멀티미디어 댄스집단 AMDaT


COMPANY DESCRIPTION
AMDaT is a New York City-based Dance/Arts Company established in 1998 by choreographer and visual artist
Andrea Haenggi. The Company creates and produces visual motion constructions: site-specific dance video installations and site-integrated multimedia stage works that combine contemporary dance with visual art, prosaic architecture and technology. Through the development of new works and their presentation, often in non-traditional sites and public spaces, the Company challenges and engages its audience in rich, thought-provoking aesthetic experiences and aims to transform peoples' perception of everyday life.
Haenggi's choreographic language involves the 360-degree geometry of the body developed in relation to the flat/horizontal/vertical screen of a moving digital image in space. Her works are inspired by prosaic architecture and the restriction of space. The process pursues the meaning of place in historical, emotional, spatial and social contexts. Very often Haenggi with her Company AMDaT brings visual motion constructions to non-traditional venues and public environments. In this, the Company's aim is to challenge conventions and to bring this art form to people not normally exposed to it - breaking down the barrier between art and life. Andrea Haenggi with her company AMDaT recently premiered the evening-length work, escalator (March 2006) for seven dancers and four live musicians. The work was commissioned by World Financial Center Arts & Events for the lobbies of the World Financial Center complex, and reached more than 1000 people in two days.
In 2004 Andrea Haenggi/AMDaT created the critically-acclaimed under whose control, co-produced by the Lower Manhattan Cultural Council and presented as part of LMCC's SiteLines Festival in an abandoned retail store. Last year she created blast wall art (2005) for the Commodore Barry Park handball courts in Brooklyn, NYC. Haenggi and AMDaT were invited by TSEH Dance Agency in Russia to participate in the Russian Dance Theater Festival TSEH 05. This involved a rigorous
4-week residency that culminated in a series of performances at the Moscow State Museum, The New Tretyakov Gallery. The Company have also appeared at performance venues including Joyce SoHo, Construction Company Dance Gallery, P.S 122, Jazz at Lincoln Center (in the Samsung Media Roadshow), and in museums such as the Cooper Hewitt National Design Museum and MASS MoCA in North Adams, Massachusetts. In Fall 2006, AMDaT will be presented by Dance Theater Workshop (DTW) as part of the city - wide Europe Dream Festival with there new work Friction at DTW Bessie Schoenberg Theater.
It is very valuable for The Company to have the chance to share our creative research with other artists and the wider communities in which we live & work. Residency activities such as workshops, movement master classes, artist talks and other outreach programs are a fundamental part of AMDaT's work in the U.S and abroad, and continue to inspire and inform Haenggi's movement and visual research.
This visual motion construction should shed new meaning on our sense of space - of our own location in the world. Every wall, every corner, every chunk of flaking paint, every flickering shadow thus becomes part of the performance.










the ninth situation-2

"The ninth situation-2 took shape as I was reading The Poetics of Space, by French philosopher Gaston Bachelard. Bachelard discusses how the creation of a site, a location, a place, can condense quanta of detail, but open out on immensity. Moved by this possibility, I decided to take a specific look at our idea of home – a place that is at once real and virtual, geometrical object and universal ideal.
The ninth situation-2, is an investigation of the perception of a living room-security and adventure, cell and world, actual and transcendental."

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by 스태파노 | 2007/01/08 15:13 | - ∴Performance | 트랙백 | 덧글(0)

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